NEEDLES AND THE NINETEEN SEVENTIES: GREAT ART and “THAT SMARTS!” ALTERNATIVE HEALING

Yesterday I was in Palm Springs to receive acupuncture. I do it from time to time to restore balance in my body and help recover from chemotherapy. I haven’t experienced anything like it. There’s a pinch at the start (“That smarts!”), followed by 40 minutes of relaxation as needles tend to various energy points in my body. It leaves me feeling renewed and remade. After a session with my acupuncturist Askat, I felt revitalized enough to do some shopping. Feeling revived, I headed over to Revivals, a “thrift” store whose takings benefit the Desert Aids Project.

First the well-being. If you are in the Palm Springs area and need acupuncture, want to explore options in Chinese Herbology, or just lie down for a restorative massage, be sure and check out the Desert Wellness Clinic at http://desertwellnessclinic.com/. I cannot recommend them highly enough.

And next – Revivals. They’ve got everything under the sun, but I was interested specifically in previously owned artwork to adorn the walls of Second Chance Homestead.

I collect artwork that is graphic – mostly posters, prints and lithographs with big, bold type and rich, expressive hues. I always want “text” with my imagery. A recent gem “find” came into my collection for just $10 – a framed poster from a shop in San Francisco circa 1973. 

note: I’m not a professional photographer but I’ve tried my best. Also, my home was pretty dark and I needed to use the flash! I know…I know…

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“Goines Posters: 1968 – 1973,” by David Lance Goines. Designed for a 1973 exhibit in a San Francisco gallery. Reprint featured here (1977) by Portal Publications Ltd. for an exhibit at the Thackrey and Robertson Gallery, also in San Francisco. 20″ by 28″.

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Detail from “Goines Posters: 1968-1973,” by David Lance Goines.

Maybe Revivals had on its shelves some good pieces to go with the Goines poster. After only a few minutes perusing their stock, I found not only companions but two true “soul mates” from the same shining decade.

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“Broadway,” by Hilary Knight for the Triton Gallery, NYC.  1974. Number 3 of 150. 

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Detail of “Broadway,” by Hilary Knight.

I love discovering amazing pieces that were once loved but have fallen onto hard times and found themselves in thrift shop stock. They are like orphans that need to be adopted. And with my recycle/repurpose/renew/re-use Homestead ethos, I LOVE to give a great work a second chance to be displayed and continually admired.

 I also love the fact that I’m able to buy truly amazing and often original artwork at affordable prices, and that the money that leaves my pocket goes to an important cause.

Affordable? How much do you think I spent on “Broadway”? Just five dollars and twenty-five cents, thank you. Money well spent.

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“George Berke,” by Michael P. Smith. 20″ by 27″. 1977. Number 599 of 1000.

The second print,  “George Burke,” depicts a reveler at the 1977 Mardi Gras celebration in New Orleans. It cost me all of nine dollars.

Total three pieces: Under $25 (twenty four dollars and twenty five cents to be exact).

 Could I have come away with even one cheaply framed mass-produced unoriginal print from Ikea or Walmart or Target to hang on my wall for that small amount of cash?

Even better – I never have to fear someone walking into my place and saying, “I LOVE that print! I have the same one at home!”

 The God of Second Chances. That’s MY curator. 

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Detail of “George Berke” by Michael P. Smith

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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2 thoughts on “NEEDLES AND THE NINETEEN SEVENTIES: GREAT ART and “THAT SMARTS!” ALTERNATIVE HEALING

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